mmcnealy: (Me)
[livejournal.com profile] chargirlgenius asked me about the Pentathlon
What is your goal in entering this?
Is it to stretch your boundaries?
Is it to get your work known?
Is it the challenge?
Is it to show off the depth of your research?
Is it to show off the things that are your specialties?

Maybe I should post this on my own journal, but ever since KASF I’ve been thinking that I got the best idea of the artisan’s specialties and abilities from the displays, where breadth and new stuff wasn’t as important, but depth and showing real specialties were the goals.



I suppose making cool new things that I've always wanted to make and have fun at the same time isn't deep enough of an answer? :)

Part of it is to prove to myself that I'm not just a one trick pony. I'm not just all about sewing or hats or research. That I have a lot of other skills and can do other things well, even if its at a novice level.

Displays are good for showing what you've done in a specific area and they serve a good purpose. You can show a spectacular piece of work that took years to make or a collection of works in one specific discipline. Its main purpose is to show the depth of the artist, their master works (or journeyman works depending on skill).

The Pentathlon can also show depth, but I think that its best at showing the breadth, the whole artisan, not just one particular facet.

I feel like I'm in danger of being pigeonholed, I'm afraid of being stuck in a rut, of only keeping to the safe things within my time frame. I keep wanting to break out into new disciplines, but without a real reason too, its hard for me to rationally justify the expense in time and money to myself.

So, yes, its to stretch my comfort zone boundaries and provide a challenge to myself. But why not chose a narrower scope for my entries? Why such a broad range of disciplines, including ones that I will be doing novice work in and won't show off my specialties so well? Perhaps its because my specialty is a time period and a place, not just a craft. I want to know the wide range of daily activities that my persona would have done, experienced, tasted; not just one aspect of the time, like sewing or cooking.

If my work gets known at the same time, if people notice the research depth, then that's great. But really, this whole thing is about me as an artisan, challenging myself out of my comfortable little shell and into a more rounded person.
mmcnealy: (Me)
Just wanted to let you all know that I've posted the complete documentation for the calligraphy and wind wheel entries from the Pentathlon, it also includes pictures of the entries as wel.
You can download them from the Articles page or the PDF's directly

Calligraphy PDF
Wind Wheel PDF
mmcnealy: (Me)
Now that I'm finally caught up on my sleep, I thought I'd post about why I entered the Pentathlon, and what I learned from the experience. Hopefully this will inspire others to attempt the feat next year and have a good time doing it.

Why I entered
I didn't enter the Pentathlon to win, but rather as a challenge to myself to explore areas that I wanted to get into but scared me silly. Really, it was all about overcoming the fear of new things. I did it for me.

I've always wanted to do woodwork, but have had a fear of cutting my fingers off with a saw. I've always wanted to do calligraphy, but due to a bad childhood experience with trying to learn it, thought it was impossible. But I was able to ask a friend for help with the woodworking and got over my fear of power tools, I also got to try some cool period techniques too. The calligraphy turned out to be a challenge to get up to my exacting standards, but its a difficult hand.

Due to some personal setbacks this Fall, I wasn't feeling that great about my ability to get things done. Research? Sure, but actually working on a project and finishing it? Not so much.

Having the focus of the Pentathlon helped me to buckle down and accomplish things. Yes, it was a bit of a stretch the last few days, but the whole experience really gave me a good kick in the pants and confidence that I could still get things done.
What I learned behind the cut because it got really long )
Plans for next year

I'm already thinking about what I'm going to enter next year, and what areas of fear I'm going to tackle next. Not sure what its going to be, and the list might change over time, but it should be an interesting ride.
mmcnealy: (Me)
Here are the pictures of my entries into the 2008 Persona Pentathlon that was held yesterday. Documentation will be uploaded online in the next week or so, once I have a chance to add the text I didn't get a chance to add before the competition. Click on the pictures to go to Flickr and see the larger sizes.

Persona: A two year old boy from a upper middle class merchant family from Augsburg Germany, 1530.

Entry 1 - 3 kinds of Lebkuchen from Sabina Welserin's cookbook of 1553 made with period whole spices (recipe nos. 151, 163, 164)
151 is thin and crispy, like "golden sparkling leaves" to quote Christoph Scheurl from Flesh and Spirit. 163 and 164 are heavier and thick, 164 molds the best of the two, the flavors of all three are quite different and very good.

3 kinds of Lebkuchen from Sabina Welserin's cookbook

Entry 2 and 3- A Wind Wheel and a Wappenrock (heraldic rock) for a small boy.
The wind wheel is made of pine and a hard wood dowel. The white wind vanes are a paper/linen fabric/paper sandwich, glued with cheese glue. The wind wheel is also glued using cheese glue and finished with flaxseed oil.

The wappenrock is a fine wool twill, dyed to match my heraldic colors of argent and azure (silver and blue). Its patterned off of an extant gown in Bern, several period pattern books and lots of period artwork.

Wind Wheel and Wappenrock

Entry 4 - A Scrifftafel, a writing tablet.
It can also be used like a horn book to hold a ABC table for a child, or prayers. The paper slides in and out through a slot behind the handle. Its made from poplar wood. I cut the main sections using a scroll saw, but the joints were cut using a handsaw and a chisel and mallet. It was glued with cheese glue, the cracks were filled using a wood filler made from Knox gelatin and sawdust. It was finished with a food grade flaxseed oil finish. I heated the oil to 200 degrees F and brushed it on the wood while the oil was still hot. I let it sit for 10 mins, wiped the surface down and applied another coat.
Writing tablet

Entry 5- ABC table in three calligraphy scripts and the Our Father
My first ever foray into calligraphy. The first alphabet is in Schwabacher, and is from a Taschen büchlin Kloster from 1512. This is also where the text for the Our Father or Lords prayer comes from (p. 32-33). The third alphabet comes from a Wappenbuch from Augsburg, 1515. I had a lot of fun making the alphabets from the manuscripts and learning to write in these beautiful hands. Its certainly improved my reading comprehension of period written material. Its written on smooth Bristol paper with a C4 nib for the alphabets and a C5 nib for the prayer.
3 alphabets and Our Father


At the end of the day, I came back with Henry to clean up my display and attend closing festivities. Here's Henry in his new red wool Paltrock, eating one of the everlasting Lebkuchen (recipe 164).
Henry, in a red paltrock

Later, I was called into court and Henry escorted me in. It was very cute, and he was super good! I was inducted into the Order of the Pearl, such a stupendous honor! It was all in all a bold red letter day in the year.

Flying

Mar. 1st, 2008 09:14 pm
mmcnealy: (Me)
Right now I'm flying on a whole lot of adrenalin from the wonderfulness of today. Its days like today that keep me going through the hard times of creating art.

The Pentathlon was today, and no I didn't win (I came in second, there were only two entries). But I didn't enter it to win, I entered it as a way to kick myself in the pants and expand my creative boundaries.

It was a seriously wonderful, stressful, painful, fantastic experience. I'll post more tomorrow, along with pictures, its been a long couple of days.
mmcnealy: (Default)
So I don't lose these period handwriten manuscripts that I'm going to use as a reference to create the hands with which to write ABC and Our Father with

Pfefferkorn, Johann: Brantspiegell, [fängt an:] Abzotraiben vnd aus zulesche[n] eines vngegrunte[n] laster buechleyn mit namen Auge[n], spiegell So Johannes Raichlein lerer der rechten, gegen vnd wyder mich Johannes Pfefferkorn erdicht, gedruckt, vn[d] offentlich vormals vßgeen hat lassen Dar gege[n] ich mey[n] vnschult allen menschen gruntlich tzu verneme[n] vn[d] tzu vercleren in desez gegenwyrdige[n] buechgelgyn gena[n]t Brantspiegell. gethan hab, Collen [1512]
http://mdz10.bib-bvb.de/~db/bsb00004431/images/index.html?seite=11

Brack, Wenceslaus: Vocabularius rerum, Argentina 1512
http://mdz10.bib-bvb.de/~db/0001/bsb00010979/images/index.html?seite=3

Taschen büchlin Kloster, Auß ainem closter in dem Riess Kompt dises Täschenbüchlein süß Das der mensch soll bey jm tragen Vnd damit sein veind verjagen, Augspurg 1512
http://mdz10.bib-bvb.de/~db/bsb00004929/images/index.html?id=00004929&fip=72.218.227.42&no=&seite=8

Bertschi, Nikolaus: Wappenbuch besonders deutscher Geschlechter - BSB Cod.icon. 308, Augsburg 1515 - 1650
** This one has an alphabetical listing of all the family names, very easy to use.**
http://mdz10.bib-bvb.de/~db/bsb00001364/images/index.html?seite=1

Collectaneus de viris illustribus, literae a-F - BSB Clm 22103, [S.l.] 1523
http://mdz10.bib-bvb.de/~db/0002/bsb00020025/images/index.html?seite=4

Hortulus anime, Straßburg 1504
** Beautiful hand**
http://mdz10.bib-bvb.de/~db/bsb00005610/images/index.html?seite=9
mmcnealy: (Device)
For Henry's rock, I'm planning on making it in my heraldic colors, so I can get credit for one more category. This is just an insurance policy in case I totally screw up the calligraphy portion...

So, my plan is to make a heraldic rock like this one on a boy, not sure yet if I want to do the two main colors of blue and white, or add in the yellow as the heraldic Augsburg rocks add in their third color?

The Raw Research


The Augsburg Arms in red, white and green
http://www.dhm.de/ausstellungen/kurzweil/dez3.htm

Heraldic rock in Augsburg colors
http://www.dhm.de/ausstellungen/kurzweil/nov8.htm

Das Maienbad
** Yellow and Silver checky and the other half red. **
http://www.dhm.de/ausstellungen/kurzweil/mai2.htm#bad

Der Trauerzug
**Boys heraldic rock, yellow and black **
http://www.dhm.de/ausstellungen/kurzweil/feb2.htm


Hofkleiderbuch (Abbildung und Beschreibung der Hof-Livreen) des Herzogs Wilhelm IV. und Albrecht V. 1508-1551 - BSB Cgm 1951, München 16. Jh
http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb00016005-6


Red Rock, with different colored stripes inside the pleats that match with the heraldic colors on the arm band
http://mdz10.bib-bvb.de/~db/0001/bsb00016005/images/index.html?seite=18

Yellow Rock, with different colored stripes inside the pleats that match the heraldic livery colors on the arm band.
http://mdz10.bib-bvb.de/~db/0001/bsb00016005/images/index.html?seite=32

Rock, Half medium blue, half red and white (or yellow) stripes,[Hat is blue with red and yellow bunting]
http://mdz10.bib-bvb.de/~db/0001/bsb00016005/images/index.html?seite=72


Hofkleiderbuch (Abbildung und Beschreibung der Hof-Livreen) des Herzogs Wilhelm IV. und Albrecht V. 1508-1551. Wappen mit Reimsprüchen des Holland. Abbildungen bayerischer Regenten - BSB Cgm 1952, München 16. Jh.

Rock Half solid blue, half white and red chevrons
http://mdz10.bib-bvb.de/~db/0001/bsb00016900/images/index.html?seite=10

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