mmcnealy: (Default)
Sturm, Caspar: Warlicher bericht wie vo[n] den dreyen Churfürsten und Fürsten, nämlich Tryer, Pfaltz und Hessen weylandt Frantz von Sickingen über zoge[n] Auch was sich im selbige[n] mit eröberung seiner und anderer Schlösser, und sunst von tag zu tag begeben Durch den Erenhalten verzeychet, [Mainz] [1523] [VD16 S 10018]
Roughly Translated title:
Sturm, Caspar: Report written down as Frantz of Sickingen conquering and fall of the three Churfürsten and princes, namely Tryer, Pfaltz and Hesse and other castles, day to day and going through the (halt?) [Mainz] [1523] [VD16 S 10018]

This appears to be an account of The Knights Revolt led by Franz von Sickingen.

There are several really good woodcuts in this book,
Showing troops on the move
Sacking the town and carrying off the loot on their heads
The clothes are nice in this picture
Nice view of the construction of the clothes in this picture. Also a view of the tents in the background
Crossing the river in ferry boats. Its interesting to note the size of the boats relative to the horses and wagons, those are some big boats



Verzeichniss deren Personen, die (zu München vor einer Commission des Magistrats) ervordert und damit (mit welchen) der Communion halben under ainerlai gestalt ghandelt werden - BSB Cgm 4901, München 1571 [BSB-Hss Cgm 4901]
Beyond a register of names in front of a commission of magistrates in Munich from 1571, I'm not sure exactly what this is. It may be a listing of those who either refused communion or from witch trials. It is handwritten in a really nice secretary hand.
mmcnealy: (Default)
After making several prototypes, I think I finally have it!

This is a notched barett, dockenbaretten, as seen in this woodcut by Erhard Schoen from The German Single-leaf Woodcuts G.1212 Lansquenet and Wife, c. 1535

Here are my latest attempts, )

Its not completely finished, but at least I fixed the parts I felt failed in the last prototype. Now to just do the finishing thread tacks and do the final pressing.
mmcnealy: (Default)
I've been working on my prototype for the Dockenbaretten (notched barett) aka "The Starfish" hat, and various other names for the last few days. Since its usually in 30 min segments after the baby goes to bed for the night, it takes a bit longer to make progress than I'd like.

For my hat prototypes I like to use craft felt, nice cheap and is a good substitute for the felted wool or wool melton that I'll use for the finished hat. I can make mistakes and not think of all the money I just wasted too!

Progress so far has been creating a square topped crown with the four seams that are commonly seen with this style, with nice rounded corners, not points. The head hole is an oval, set on the diagonal, so the front and back of the head oval are oriented to the points of the square (I'll post pictures of this later).

I then sewed on the straight parts for the crown, and cut the slashes that open into the notches too deep and in the wrong spots too. gack! Even sewing the edges of the square on the fold to the brim didn't fix the problem but it does start to give the look I'm going for. So I'll rip it off and sew new brim pieces and then re-attach them to the crown, after I tack the edge of the crown to the brim, then slash.
mmcnealy: (Default)
I think it would be an interesting project, and probably PhD thesis to go back and study the formation of what I've come to call "Rennie Landsknecht Fashion" or RLF for short.

For those of you who don't follow the Renaissance faire scene or the Landsknecht scene at all, you may not have the slightest clue of what I'm talking about. Basically its just a small subset of the available styles of clothing, some are depicted in period artwork and some aren't. There are several period hat styles that aren't represented in current re-enactment circles (peasent hat styles, droopy barett styles), or are so far removed from the period depiction of the hat as to be a completely different style all together (most tellarbarett).

Which leads me to the anthropology part of this train of thought.... Who came up with the coda of fashion which defines the current Rennie Landsknecht look?

I can imagine a scene in some small cluttered apartment, with some guy pulling out the Osprey Men at Arms Landsknecht book and telling his wife/girlfriend "Honey, I want this outfit"

And she says "OK, I'll make it for you because I love you!" So she does, and its 11 pm the night before the event that he's going to wear the thing at, and she gets to the hat, because how hard can that be? Or rather, it has scared the living daylights out of her and she's put it off till the last minute....

So she looks at the hat, pulls on her theatrical costume experience and comes up with something that works.

The next day, people come up to her and ask her about the hat, so she tells them how she did it. They make them, and tell other people how they are made. Twenty or more years later, its now standard fact and classes are taught, and everybody makes their hats this way and nobody questions if this is the way its supposed to be done.

And so you end up with this being the standard method for creating a crown for a square topped barett.

http://www.flickr.com/photos/77086627@N00/413774279/

Not that this is a bad hat, its just not the method of construction that I think the artwork is showing.

More on the subject of period construction methods later....

May 2017

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